Regina José Galindo Ausstellungsansicht
Regina José Galindo. Mechanismen der Gewalt
Regina José Galindo installation view
Regina José Galindo installation view
Regina José Galindo.Quien puede borrar las huellas
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Regina José Galindo installationview
Regina José Galindo installation view
Regina José Galindo Raices
Regina José Galind Raices
Regina José Galindo Nadie atraviesa la región sin ensuciarse
Regina José Galindo Nadie atraviesa la región sin ensuciarse
Regina José Galindo La Verdad
Regina José Galindo La Verdad
Regina José Galindo Secreto de Estado
Regina José Galindo Secreto de Estado
Regina José Galindo Secreto de Estado
Regina José Galindo, installation view Frankfurter Kunstverein 2016 with the works “Tierra”, 2013 (front) and “Caparazon”, 2010 (back), Photo: N. Miguletz, © Frankfurter Kunstverein
Regina José Galindo, “Tierra”, 2013; Photo: Bertrand Huet, © the artist, Courtesy prometeogallery di Ida Pisani, Milan / Lucca
Regina José Galindo, installation view Frankfurter Kunstverein 2016, Photo: N. Miguletz, © Frankfurter Kunstverein
Regina José Galindo, installation view Frankfurter Kunstverein 2016 with the works “Paisaje”, 2012 (left) and “¿Quien puede borrar las huellas”, 2003 (right), Photo: N. Miguletz, © Frankfurter Kunstverein
Regina José Galindo, “¿Quien puede borrar las huellas?”, 2003; Photo: Victor Pérez, © the artist, Courtesy the artist and prometeogallery di Ida Pisani, Milan / Lucca
Regina José Galindo, Photo: N. Miguletz, © Frankfurter Kunstverein
Regina José Galindo, installation view Frankfurter Kunstverein 2016 with the works “Piel”, 2001 (left) and “Perra”, 2005 (right), Photo: N. Miguletz, © Frankfurter Kunstverein
Regina José Galindo, installation view Frankfurter Kunstverein 2016 with the works “Raíz” and “Raices”, 2015, Photo: N. Miguletz, © Frankfurter Kunstverein
Regina José Galindo, ”Raíces“, 2015; © the artist, Courtesy the artist and prometeogallery di Ida Pisani, Milan / Lucca
Regina José Galindo, “Raices”, 2015; © the artist, Courtesy the artist and prometeogallery di Ida Pisani, Milan / Lucca
Regina José Galindo, “Nadie atraviesa la región sin ensuciarse”, 2015 , installationview Frankfurter Kunstverein 2016 , Photo: N. Miguletz, © Frankfurter Kunstverein
Regina José Galindo, „Nadie atraviesa la región sin ensuciarse“, 2015; Courtesy the artist and prometeo gallery di Ida Pisani Milan/Lucca
Regina José Galindo, “La Verdad”, 2013, installationview Frankfurter Kunstverein 2016, Photo: N. Miguletz, © Frankfurter Kunstverein
Regina José Galindo, “La Verdad”, 2013; Photo: David Pérez, Jorge Linares, © the artist, Courtesy the artist and prometeogallery di Ida Pisani, Milan / Lucca
Regina José Galindo, “Secreto de Estado”, 2016, Performance at Frankfurter Kunstverein 2016 , Photo: Neven Allgeier, © Frankfurter Kunstverein
Regina José Galindo, “Secreto de Estado”, 2016, Performance at Frankfurter Kunstverein 2016, Photo: Neven Allgeier, © Frankfurter Kunstverein
Regina José Galindo, “Secreto de Estado”, 2016, Performance at Frankfurter Kunstverein 2016, Photo: Neven Allgeier, © Frankfurter Kunstverein

Video: Bernd Thiele, © Frankfurter Kunstverein

We thank


Regina José Galindo. Mechanisms of Power

Opening: February 18, 2016, 7 pm

Curator: Franziska Nori; Co-Curator: Eugenio Viola, curator at the Museo d'Arte Contemporanea Donnaregina Napoli (MADRE)

In early 2016 the Frankfurter Kunstverein is presenting two monographic shows with the joint title “Mechanisms of Power”. Chosen works by Guatemalan artist Regina José Galindo and Italian artist Arcangelo Sassolino will be presented simultaneously: associations that arise from juxtaposing facilitate new perspectives on both artists’ works within the course of the exhibition. Depending on different subject matters and marked by distinct practices, Sassolino’s and Galindo’s approaches share the exploration of limitations of art and question art’s role in our society. They refuse to be reduced to a merely symbolic realm and confront their conceptual ideas with social or material realities. While the effects of physical violence and power relations on the body, both the individual and the collective, are a central issue of Galindo’s uncompromising performances, Sassolino’s sculptures are determined by forces that can discharge their potential violence any time.

Starting material of the works by Regina José is her own body, which she utilises in a critical and political way. In her performances, which are documented in photographs and videos, she exposes herself to extreme physical and mental situations. The viewer can sense fear, pain and agony, which call upon a sensation of powerlessness. During her early years of artistic production Regina José Galindo particularly dealt with the socio-political context of her home country Guatemala, a country that is shaped by a long-lasting civil war and ensuing political instability. Subsequently, Galindo’s works investigate universal and ethical repercussions of social injustice, discrimination or shortcomings evoked by disparate power relations. With explicit images she addresses existential borderline experiences like violence and power, life and death as well as loss and grief. Galindo’s politically motivated art particularly focuses on the fight for women, who became victims of ferocious crimes starting with the violent phase of the civil war in Guatemala. By using her body as a metaphorical substitute for those women’s bodies, the effects of political violence through power structures become tangible.

The show at Frankfurter Kunstverein is the first comprehensive exhibition of the artist in a German institution. It shows both current artworks and a significant selection of art works realized in the last years. In addition, Regina José Galindo will act a performance specifically conceived for Frankfurter Kunstverein.

Regina José Galindo was born in 1974 in Guatemala City where she lives and works. The artist has participated in events such as the 49th (2001), the 51st (2005), the 53rd(2009) and the 54th Venice Biennale, Italy (2011), the 10th Sharjah Biennial, United Arab Emirates (2011), the 31st Pontevedra Biennial, Spain (2010), the 17th Sydney Biennial, Australia (2010), the 10th Havana Biennale, Cuba (2009), the 2nd Moscow Biennial, Russia (2007), the 3rd Auckland Triennial, New Zealand (2007), the 4th Valencia Biennial, Spain (2007), the 2nd Prague Biennial, Czech Republic (2005), the 3rd Tirana Biennial, Albania (2005) and the 3rd Lima Biennial, Peru (2002). She received the Golden Lion at the 51st Venice Biennale in 2005 in the young artist category. Galindo’s work is included in numerous important collections, such as the Centre Georges Pompidou, Paris, France, the Solomon R. Guggenheim Museum, New York, USA, Castello di Rivoli – Museum of Contemporary Art, Turin, Italy, the Daros Latinamerica Collection, Zurich, Switzerland, the Blanton Museum of Art, Austin, USA, the Museum of Contemporary Art, San José, Costa Rica, the Pérez Art Museum Miami and the Cisneros Fontanals Collection, both in Miami, USA.

Arcangelo Sassolino. Mechanisms of Power

19.02. — 17.04.2016 | Exhibition

Frankfurter Kunstverein
Steinernes Haus am Römerberg
Markt 44
D-60311 Frankfurt am Main

Directions

Hours of the exhibition: „Paulo Nazareth - Aqui é Arte“ at Mousonturm:
Tue–Fri: 5pm – 10pm
Sat: 5pm – 10pm
Sun: 2pm – 8pm
Closed on Monday

Free admission

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