GEGEBENENFALLS DIE WIRKLICHKEIT, 2017
\nInstallation
\nStone (Rosso Royal), copper, paper
\n107 x 68 x 61 cm
\nCourtesy the artist and K\u00f6nig Galerie<\/p>\n
Alicia Kwade (b. 1979) presents the installation \u201eGegebenenfalls die Wirklichkeit\u201d (\u2018possibly reality\u2019) developed especially for the Frankfurter Kunstverein, which takes up the central themes of the exhibition and highlights them from a conceptual and sculptural perspective. The work revolves around contemporary art\u2019s engagement with matter and its digital transformation.<\/p>\n
The installation is dominated by a partially finished granite sculpture. The natural stone was recorded using 3D scanning techniques, and the digital data from the surface measurements was transmitted to a milling machine, which then created an exact copy of the original. The artist stopped the process during the course of milling. This gives way to a sculpture that hangs in the balance between its natural and technological form. The walls are covered with printouts of the mathematical coordinates produced by the scans of the original stone: 30,000 sheets in total, some of which are also stacked on the floor or sealed in copper time capsules. The source code is a mathematically precise description of the originary form, the information about the object transferred between machines without any human assistance. The code encapsulates the form, making it potentially infinitely reproducible.<\/p>\n
Looking at the sculpture itself doesn\u2019t enable any decisive interpretation. Does the object still have something of its natural form, or is it still an unfinished work in progress, and if so which part is still in progress? The object fills the viewer with doubt. It triggers a short-circuit in what we think we\u2018re seeing. Kwade takes herself out of the process of realizing the form. Nature provides the model; the machine scans, measures and reconstructs. Viewing alone isn\u2019t sufficient for a decisive interpretation of the work and fills the viewer with doubt about whether reality is beginning to seem synthetic, or whether the synthetic is beginning to seem real.<\/p>\n
The work also relates to classical works like Michelangelo\u2019s \u201cNon-Finito\u201d. Rodin would later establish this as his own style, declaring the incomplete an autonomous form and subsequently liberating himself from Naturalism. Kwade, by contrast, shifts the focus in her work. She transfers naturalism, authorship, and reconstruction to the machine, which is now the primary agent and realizer of the form. The incomplete, unperfected form that was determined by external conditions of the material and its dimensions in Michelangelo\u2019s case becomes a technological process for Kwade. Giuseppe Penone\u2019s \u201cEssere Fiume\u201d also stands as a reference here. Penone\u2019s work consisted of two identical stones: one, which was formed by time and the flow of water over the riverbed, the other by the artist\u2019s hand. Nature and artifice, model and copy, nature and humans as producers of form in concert with the material.<\/p>\n
Alicja Kwade (*1979) studied Fine Arts at the University of Fine Arts in Berlin (DE), where she lives and works. For her sculptures and installations she was awarded with numerous mentions and art prices. 2017 she has been invited to participate at the Biennale in Venice (IT).<\/p>\n","protected":false},"excerpt":{"rendered":"
GEGEBENENFALLS DIE WIRKLICHKEIT, 2017 Installation Stone (Rosso Royal), copper, paper 107 x 68 x 61 cm Courtesy the artist and K\u00f6nig Galerie Alicia Kwade (b. 1979) presents the installation \u201eGegebenenfalls die Wirklichkeit\u201d (\u2018possibly reality\u2019) developed especially for the Frankfurter Kunstverein, which takes up the central themes of the exhibition and highlights them from a conceptual …<\/a><\/p>\n","protected":false},"author":1,"featured_media":29259,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"mc4wp_mailchimp_campaign":[],"footnotes":""},"categories":[1],"tags":[389,134,148,391,375,392],"class_list":["post-14558","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-senza-categoria","tag-alicja-kwade","tag-frankfurter-kunstverein","tag-franziska-nori","tag-gegebenenfalls-die-wirklichkeit","tag-perception-is-reality","tag-possible-reality"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.fkv.de\/en\/wp-json\/wp\/v2\/posts\/14558","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fkv.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fkv.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fkv.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fkv.de\/en\/wp-json\/wp\/v2\/comments?post=14558"}],"version-history":[{"count":0,"href":"https:\/\/www.fkv.de\/en\/wp-json\/wp\/v2\/posts\/14558\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fkv.de\/en\/wp-json\/wp\/v2\/media\/29259"}],"wp:attachment":[{"href":"https:\/\/www.fkv.de\/en\/wp-json\/wp\/v2\/media?parent=14558"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fkv.de\/en\/wp-json\/wp\/v2\/categories?post=14558"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fkv.de\/en\/wp-json\/wp\/v2\/tags?post=14558"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}